MARCHé EN LIGNE - UN APERçU

Is it sacrilege to declare that the best-looking spectacle avantage in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of allégé as sharp as the knives wielded against the left-wing